Colorful Color Scheme

  So I've decided to be very regimented in how I find inspiration for my work. I'm still working with the idea of microbes and growth and the idea of strange bacteria secretly growing in caves, but, I need further inspiration for shapes and colors. I decided to get those from my large photo archive. We've traveled to so many places over the years and I still haven't developed any serious work from it. Now feels like the time to finally do that.

  I am limiting the types of photos I can use. It's all by color scheme. Every week I've been choosing a different color scheme. For this week, it's colorful. Whatever colors I want. Last week was only yellow, green and blue. Limiting the colors forces me to concentrate on shape and helps me explore those particular colors.

  Above is a work I created for the #100dayproject, an instagram hashtag to get artists creating again. I've been doing it since it started in April and it's been a great kick in the pants. I used the photo below as a guide for shape and color. It's a very very loose interpretation, I just get basic shapes.

Hong Kong Island Street Car

Buildings in the La Boca neighborhood of Buenos Aires

   I took some of the color blocking from the photo above, in La Boca. It's been more fun combining elements from different pictures as well.

  The painting above is also from the #100dayproject and it was inspired by the photo below of Venice, hence the boat shape.

Venice Canals

Indian Crescent, watercolor on handmade paper, copyright Nina Leung, 2017

   The painting above was influenced by the ghats of Varanasi. The umbrellas make such a great shape. I kept the crescent shape from the Western China paintings. The crescent is fun to work with.

Ghats of Varanasi, India

Indian Colors, watercolor on paper, copyright Nina Leung, 2017

   After looking at a few photos and working with a few different shapes, they all begin to meld and I repeat the shapes and ideas over again. As long as I restrict my palette and loosely use the shapes given to me, I can explore and be more creative.

Ghats at Varanasi, India

Color Compartments, watercolor on paper, copyright Nina Leung, 2017

   With these I went back to the crystal idea. I am still very into the crystal shape and concept. The idea of microbes being trapped in the crystal is forever inspiring.

Crystal Traps, watercolor on paper, copyright Nina Leung, 2017

Indian Crystals, watercolor on paper, copyright Nina Leung, 2017

Umbrellas of Varanasi, watercolor on paper, copyright Nina Leung, 2017

Hairy Color Crystals, watercolor on paper, copyright Nina Leung, 2017

Balloon Crystals, watercolor on paper, copyright Nina Leung, 2017

Amniotic Microbial Worms

Amniotic Microbial Worms, watercolor and graphite on handmade paper, copyright Nina Leung, 2017

  The micro-organisms are evolving in my work. I'm trying out some imagery of them in birthing sacs. I've always loved playing with these organic shapes and these micro-organisms are a great way for me to continue. This idea of microbial worms growing within the Crystal Caves is still resonating with me. Imagining these strange creatures is a never-ending source of subject matter.

Detail

  These last few days I've been limiting my palette to just green, blue, and red-orange. I chose these colors from a photograph I took of Mont Bre in Switzerland. The mountains in the background and the lake in the foreground were different shades of blue and the hillside was green with a little village tucked into it with red-orange rooftops. Limiting my palette has allowed me to free my mind a bit and concentrate more on the imagery and less on color choices. Of course the neutrals (white, black, grey, brown) don't count. More images inspiring my color palette are on my Instagram.

Detail of the handmade paper, Lupa with Abaca Strings

   I've been working with handmade paper more and more. Each type reacts differently to each media. This paper is really bizarre. It was given to me my Grandmother and had a label describing it as Lupa with Abaca strings. I looked it up and it's a handmade paper from the Phillipines. One side is smooth and the other has these strings running parallel through it. It's quite rough so it wasn't easy making smooth lines like I need to do. I can't not make smooth lines! So that offered quite a challenge, but it was fun. I love finding media that works with these strange papers. I used Caran d'Ache watercolor crayons, watercolor, and graphite. The watercolor crayons helped me create the smooth line. The paper did not absorb the watercolor much at all. The paint just stained the paper, but I tried to figure out how to make that work to my advantage.